It all began in the time of the great Jane Austen or the Brontë sisters. The golden youth of the British upper middle class accomplished long journeys to perfect their education, the Grand Tour. Discovering the Côte d'Azur on the road linking London and Turin, travellers noticed its mild and sunny climate, contrasting with the rainy and cold winters of England. Winter tourism was born. The small fishing town that was, then, Nice was transformed by the appearance of villas, palaces, hotels, all more richly decorated and each more original than the other. A real fashionable destination for the European aristocracy was born. And if the Negresco is the jewel in the crown, other buildings are just as worth the diversion. Come on board with me for the "Grand Tour au temps de la Belle Epoque!"
As more and more villas appeared, the hotel craze began. Promoters invested the hill of Cimiez for its magnificent 360° panoramic view mixing sea and mountain. Queen Victoria, spending all her winters in Cannes, Grasse or Menton, fell in love with Nice. But her stay at the Grand Hôtel de Cimiez did not go according to her wishes. Two promoters, owners of land in Cimiez, took up the challenge to build a hotel for her, meeting all her requirements in terms of comfort and modernity, against her promise to make it her permanent winter residence. And the gamble paid off when, in 1887, only two years later, the Excelsior Régina Palace was inaugurated. This competition created one of the most beautiful palaces in the city.
Queen Victoria spent three winters there. She held many receptions there, inviting her dearest friends such as the Empress Eugenie, the imperial couple Francois-Joseph and Elizabeth (better known as Sissi), and King Oscar of Sweden. A procession of crowned heads, all conquered by the grandeur and beauty of the building.
And we understand why! With a surface area of 6,260 m2 spread over six floors, including the attic, the building has a 149-metre long façade. Its architects, Sébastien-Marcel Biasini and François-Félix Gordolon, even collaborated with a certain Gustav Eiffel to create the crown covering the Queen's appartments.
Even today, one can still admire the accumulation of several ornaments such as stucco relief veneers, vertical oriels, also known as bow-windows - my favourites! - the domed attic or glass canopies. Everything that characterises Belle Epoque architecture is represented here, giving the hotel a luxurious and elegant spirit. I dare not imagine the excitement around its monarchs when they came to this mythical Hotel.
After the crash of the stock exchange, the various wars, the hotel was transformed into flats, a fate that many other buildings suffered. The building has been listed as a Historical Monument since 1992.
If you still have a little time left after admiring this majestic creation, take advantage of the opportunity to stroll along Boulevard Cimiez between the mythical buildings, each competing in charisma and beauty, in search of YOUR Belle Epoque favourite. A real journey through time, you could almost hear a waltz by Johann Strauss floating in the air...
All this bourgeoisie had many hobbies to spend the long winter months. The Opera, just like the theatre, was the jewel in the crown. The Opera of Nice, inaugurated on February 7th, 1885, was built by François Aune, official architect of Nice and pupil of Gustav Eiffel (yes, still him, definitely, the most famous Dijon resident of history has his mark everywhere in Nice), under the advice of the no less famous Charles Garnier.
The Opera House is located in the heart of Old Nice. At the bend of an alley, you start to see its contours and, from the outside, you realize the prestige of the building. It stands out from the other opera houses of the time by its double façade, the main one overlooking rue St-François-de-Paule, the second one facing the sea. The north façade is composed of two avant-corps connected by an open path. The first floor is composed of glass panes surrounded by pillars from La Turbie. The central body is surmounted by four sculptures representing the 4 muses, and the symbols of France and Nice are placed on the left and right, surrounded by stucco veneer decoration. Finally, wrought iron lanterns with graceful curves dress the entrance with a soft glow. Looking at this sumptuous façade, I feel as if I am transported into a world full of magic, parties and glitter.
Inside, the hall is arranged "Italian-style" in the shape of a horseshoe, topped by three levels of lodges organised in such a way as to frame the royal lodge according to social classes. The Italian inspiration can be felt in the deep red chosen to dress the lodges, in the majestic chandelier and in the splendid ceiling fresco by the Menton painter Emmanuel Costa. My eyes no longer know where to rest, nor where to look at so many details, colours and beauty.
A veritable social and political centre, it also shines through the quality of its operas. Great artists such as Wagner, Berlioz and Tchaikovsky, to name but a few, have performed there, to the delight of the aristocracy. Even more recently, great names have criss-crossed his stage: Luciano Pavarotti, Krystian Zimerman and Georges Enesco.
Who has never dreamt of studying in a real castle? An imposing building with an architecture full of majesty, with detailed decorations, as original as they are unique? A setting worthy of a fantastic film, and yet not so imaginary. The Lycée Masséna is a treasure trove of Belle Epoque architecture, situated on the Promenade du Paillon, and has been listed as a Historic Monument since 2017.
Originally, the building was none other than the Convent of the Augustins Déchaux, which the revolution transformed into a Central College for boys. It became the Imperial High School under Napoleon, then the Collège Royal when Nice was taken over by Sardinia and was the place where the Treaty of Turin was signed, which definitively attached Nice to France. A place steeped in history, therefore, which was rebuilt in its present form between 1909 and 1931, the date of its inauguration.
Its architect, Henri Ebrard, surpassed himself in his creation: sculpted stones, mosaics, coloured ceramic motifs, ironwork and so on. Not to mention the openings and the interplay of roofs, the multiple bodies of buildings and the overall symmetry that give it an airy and elegant appearance. But it is above all its tower and the clock which surmounts it that stand out. On its dial is inscribed the motto of the school "Horas ne numerem nisi serenas" - "I wish to count only the happy hours". Such a beautiful motto...
The Lycée welcomed great figures such as René Cassini, one of the authors of the Universal Declaration of Human Rights, who was also awarded the Nobel Peace Prize in 1968, many writers, the aviator Roland Garros, the painter Yves Klein, and many others. I would come to believe that his benevolent aura influenced the destinies of the many students who passed through its corridors.
Nice is home to many other Belle Epoque treasures, such as the villa Kotschoubey, which has become the Beaux-Arts Museum, the villa Masséna, today transformed into a Museum of Art and History, the Marble Palace, home of the municipal archives. Other buildings, thanks to their geographical position, are visible, sometimes from afar, such as the Château des Anglais, the Château de la Tour and the villa Beau Site at the foot of Mont-Boron or the Château des Baumettes. In the district of Cimiez, the villas Paradisio, Alhambra and Surany, the Belgrano manor house, but also the Valrose Castle (headquarters of the university and of the faculty of sciences) or the charming little villa Huovila on the Promenade des Anglais (near the crossroads of Magnan) or the Leliwa Castle of Rohozinsky at the entrance of the Vallon Barla are more witnesses of this splendid period.
And you, what is your favourite Belle Epoque building?